" Expressive gesture is likewise a consideration in the works of Daisy Craddock. The gesture refers to expressive painting, but is deliberately orchestrated to address impact, scale and emotive representation. The intention is not so much to get the details right, but to use the landscape painting as a vehicle for empathetically describing the spirit of the palce."

— Gweneth Stokes, Jersey City Museum, Landscapes, 1988

Daisy Craddock - Thicket, 1987-
Thicket, 1987-, 1989

64” x 92,” oil on canvas, Private collection
Daisy Craddock - Two Evenings (Tishomingo)
Two Evenings (Tishomingo), 1989

28” x 32,” oil on linen, Private collection
Daisy Craddock - Bridge
Bridge, 1988

70” x 90,” oil on linen, Coll: Weatherspoon Art Museum
Daisy Craddock - Cedars and Snow, Midday
Cedars and Snow, Midday, 1988

30” x 34,“oil on linen, Private collection
Daisy Craddock - Mesh
Mesh, 1988

56” x 66,” oil on linen, Coll: Commercial Bank and Trust Co, Memphis, TN
Daisy Craddock - Salt Cedar (Red Herring)
Salt Cedar (Red Herring), 1988

50” x 66,” oil on linen, Private collection
Daisy Craddock - Where the West Begins
Where the West Begins, 1988

17 1/2“ x 22 1/2,” oil on linen, Coll: Tudor Investment Company, NYC
Daisy Craddock - Yellow sky, New Mexico
Yellow sky, New Mexico, 1988

30” x 34,” oil on linen, Private collection
Daisy Craddock - Backfield
Backfield, 1987

64” x 66,” oil on canvas, Private collection
Daisy Craddock - High Nineties
High Nineties, 1987

66” x 72,” oil on canvas, Private collection
Daisy Craddock - Moonlight on Oyster Bay
Moonlight on Oyster Bay, 1987

66” x 58,” oil on canvas Coll: Newark Museum, Newark, NJ
Daisy Craddock - Afternoon of a Faun
Afternoon of a Faun, 1986

72”x 68,”oil on canvas, Coll: PolyGram Corp, LA,CA
Daisy Craddock - Blue Levee
Blue Levee, 1986

48” x 60” oil on canvas, Private collection
Daisy Craddock - Convergence
Convergence, 1986

77” x 69”, oil on canvas, Private collection
Daisy Craddock - Sartoris
Sartoris, 1986

77” x 69,” oil on canvas, Private collection
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